Dispatches From Toronto: Particular Delivery
Sunday, 30 September 2012
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Contributor postal service from Julie Pasila


Hi everyone! I'm dorsum on Canadian set down too excited to hold upward posting my laid about column from Toronto. This volition hold upward a regular thing, too I'm looking forrad to sharing about of the amazing fine art too pattern move that's created inwards this city.
Like many large cities, there's ever something happening inwards Toronto. New stores opening, gallery exhibitions, pattern shows too conferences. This past times weekend, inwards forepart of the Gladstone Hotel, iv 18-wheeler trucks were transformed into a site-specific installation called Special Delivery.

Special Delivery is a temporary exhibition which transforms truck interiors into immersive installations created past times local designers too artists. As an offshoot of IIDEX (Canada's National Design too Architecture Exposition too Conference), each artist/designer has responded to the mobile infinite of the exhibit truck. In an interesting inversion, the 18-wheeler, which, inwards the illustration of a large pattern show/conference is typically used to carry materials from exhibit to show, at 1 time becomes work of the exhibition. Paired amongst a truck sponsor, each installation considers, inspires and/or incorporates the materials, processes or products of the vehicles they inhabit.
It's ever interesting to encounter art/design deed exterior of its commons haunts, too it's this chemical constituent that made Special Delivery both playful too successful. See all the peachy truck interiors below.


Jade Rude too Orest Tataryn used calorie-free too shape to transform their space.
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By far the nearly playful of all the installations, multi-disciplinary pattern studio Fugitive Glue transformed their infinite into a five-hole mini-putt tour of Toronto. (Thanks to Fugitive Glue member, Jano, for playing a circular amongst me!)

Scott Eunson used beautiful, organic sculptural shapes to exercise a textural surroundings for visitors to walk through.


Christina Zeidler played amongst fake images to exercise the exhibition's nearly visually welcoming space, amongst enough of seating, warm tones too earthy imagery.